{"id":1376,"date":"2026-01-08T12:46:23","date_gmt":"2026-01-08T17:46:23","guid":{"rendered":"https:\/\/moadmdcedu.wpenginepowered.com\/exhibition\/baruj-salinas-1972-2022\/"},"modified":"2026-05-11T13:33:22","modified_gmt":"2026-05-11T17:33:22","slug":"baruj-salinas-1972-2022","status":"publish","type":"exhibition","link":"https:\/\/moad.mdc.edu\/es\/exhibition\/baruj-salinas-1972-2022\/","title":{"rendered":"Baruj Salinas: 1972\u20132022"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Baruj Salinas: 1972\u20132022<\/em>, a thematic survey of the acclaimed Miami-based Cuban American painter\u2019s abstract work, spans a half century of his artistic career. Salinas had trained and worked as an architect, but has created abstract works in a gestural, expressionist style since the early 1960s. Influenced by philosophy, music, and literature, he has also explored a lifelong interest in cosmology in his art. By the early 1970s, he had begun engaging themes of origins\u2014of life or of the universe\u2014on both microcosmic and macrocosmic scales. Living in Barcelona during the 1970s, he associated with Spanish painters, including Joan Mir\u00f3 and Antoni T\u00e0pies, and in 1977 embarked upon a large series of works based on clouds. Works from <em>El lenguaje de las nubes <\/em><em>(The Language of the Clouds) from <\/em>1979\u201380 evince the artist\u2019s introduction into his work of expansive areas of white, which often represents a multivalent emptiness, and the appearance of words and letters in various real or imagined alphabets. Salinas has continued to employ both of these devices and address the subject of clouds in works made since.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Increasingly during the twenty-first century, Salinas has pictured oceans, both primordial and apocalyptic, envisioning water\u2019s role in alternating acts of creation and destruction. The oceans also refer to a lifetime\u2019s experience of living adjacent to various seas, especially his early years growing up on the island of Cuba, which he was forced to leave. Between 2003 and 2008, Salinas painted the series <em>Claros del bosque<\/em> (Clearings in the Forest), inspired by a book of the same title by his friend, the Spanish writer and philosopher Mar\u00eda Zambrano, as well as by an actual forest that she had loved and remembered during her own exile. The artist\u2019s 2015 <em>Torah Project<\/em> included images that evoke the Hebrew Bible\u2019s account of the creation of the cosmos and other foundational stories and resulted in an editioned illustrated Pentateuch in 2017. In all of Salinas\u2019s abstractions, whether imagining landscapes, seas, skies, or cosmic space, he continually attempts to give shape to the formation of the universe, combining a vision of elemental flux and transformation with the traces of ancient alphabets or an imaginary language.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Baruj Salinas: 1972\u20132022<\/em> features 40 works and includes paintings, works on paper, glazed ceramics, and an artist\u2019s book. The works are borrowed from Miami collections, including that of the Cintas Foundation. The exhibition is organized into four thematic sections: Cosmogonies, Inhabitant of the Clouds, Forests and Telluric Forces, and The Torah Project.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Baruj Salinas was born in 1935 in Havana, Cuba, and received a degree in Architecture from Kent State University in Ohio in 1958. He was exiled from Cuba in 1959, and in Miami during the 1960s, he co-founded the Grupo de Artistas Latinoamericanos (GALA) with other abstract artists, including Rafael Soriano and Jos\u00e9 Mijares. He was awarded the Cintas Foundation Fellowship in Visual Arts in 1969 and 1970, and moved to Barcelona, Spain, in 1974. Salinas began exhibiting in the United States at galleries in Washington, D.C., Chicago, and Detroit, as well as in Spain, Mexico, Israel, and Switzerland. He held exhibitions of his paintings at Galerie Editart in Geneva, where he also began collaborating with poets and philosophers such as Jos\u00e9 \u00c1ngel Valente and Mar\u00eda Zambrano on interdisciplinary artist books. These experiences influenced the incorporation of ancestral and unknown alphabets in his cosmic-themed abstractions. One-person exhibitions of his work were held at the Fort Lauderdale Museum of Art, Florida, in 1969; Palacio de Bellas Artes, Instituto Nacional de Bellas Artes, in Mexico City in 1971; Galer\u00eda Joan Prats in Barcelona, Spain, in 1982; Museo de Arte Moderno in Mexico City in 1982; Museo Rayo in Roldanillo, Colombia, in 1992; Museum Villa du Parc in Annemasse, France, in 1993; Fundaci\u00f3n Mar\u00eda Zambrano in V\u00e9lez-M\u00e1laga, Spain, in 1997; Centro Cultural Espa\u00f1ol Miami, in Coral Gables, Florida, in 2003; The Institute for Cuban and Cuban-American Studies (ICCAS), University of Miami, in 2007; and Salas del Centro Cultural Provincial Diputaci\u00f3n de M\u00e1laga, Spain, in 2007. He was awarded the Amelia Pel\u00e1ez Prize in 2021. Salinas has lived in Miami since 1992 and taught at Miami Dade College since 1995.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Baruj Salinas: 1972\u20132022<\/em> is curated by Miami-based independent scholar Adriana Herrera and is produced by the Cuban Legacy Gallery, MDC Special Collections at Miami Dade College, in collaboration with the American Museum of the Cuban Diaspora. Exhibitions of the Cuban Legacy Gallery are made possible by the generous support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners; and the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. Programs of the American Museum of the Cuban Diaspora are made possible by the generous support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.<\/p>","protected":false},"excerpt":{"rendered":"<p>Baruj Salinas: 1972\u20132022, a thematic survey of the acclaimed Miami-based Cuban American painter\u2019s abstract work, spans a half century of his artistic career. Salinas had trained and worked as an architect, but has created abstract works in a gestural, expressionist style since the early 1960s. Influenced by philosophy, music, and literature, he has also explored [&hellip;]<\/p>\n","protected":false},"featured_media":1091,"template":"","meta":{"_acf_changed":false,"_links_to":"","_links_to_target":""},"content-migration-status":[],"exhibition-statuse":[30],"exhibition-type":[50],"exhibition-year":[37],"mec_category":[],"class_list":["post-1376","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibition-statuse-past","exhibition-type-cuban-legacy-gallery","exhibition-year-37"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Baruj Salinas: 1972\u20132022 - Museum of Art &amp; Design<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/moad.mdc.edu\/es\/exhibition\/baruj-salinas-1972-2022\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baruj Salinas: 1972\u20132022 - Museum of Art &amp; Design\" \/>\n<meta property=\"og:description\" content=\"Baruj Salinas: 1972\u20132022, a thematic survey of the acclaimed Miami-based Cuban American painter\u2019s abstract work, spans a half century of his artistic career. 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