{"version":"1.0","provider_name":"Museum of Art &amp; Design","provider_url":"https:\/\/moad.mdc.edu\/es","author_name":"Eric Holter","author_url":"https:\/\/moad.mdc.edu\/es\/author\/eric\/","title":"Remaking Miami: Josefina Tarafa\u2019s Photographs of the 1970s - Museum of Art &amp; Design","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tETusAfVJA\"><a href=\"https:\/\/moad.mdc.edu\/es\/exhibition\/remaking-miamijosefina-tarafas-photographs-of-the-1970s\/\">Remaking Miami: Josefina Tarafa\u2019s Photographs of the 1970s<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/moad.mdc.edu\/es\/exhibition\/remaking-miamijosefina-tarafas-photographs-of-the-1970s\/embed\/#?secret=tETusAfVJA\" width=\"600\" height=\"338\" title=\"\u00abRemaking Miami: Josefina Tarafa\u2019s Photographs of the 1970s\u00bb \u2014 Museum of Art &amp; Design\" data-secret=\"tETusAfVJA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/moad.mdc.edu\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/moad.mdc.edu\/wp-content\/uploads\/remaking-miami-josefina-2-hero.jpg","thumbnail_width":890,"thumbnail_height":659,"description":"During the 1970s, the photographer, editor, and philanthropist, Josefina Tarafa (born Havana, Cuba, 1907\u2013died Miami, Florida, 1982) created an exceptional body of images that picture Miami transformed by the arrival of her fellow Cuban immigrants. The first exhibition dedicated to Tarafa\u2019s photography, Remaking Miami includes thirty posthumous prints, made from photographs in an archive of [&hellip;]"}