{"version":"1.0","provider_name":"Museum of Art &amp; Design","provider_url":"https:\/\/moad.mdc.edu\/es","author_name":"Eric Holter","author_url":"https:\/\/moad.mdc.edu\/es\/author\/eric\/","title":"Speculative Machine I: Tools for a Thawing World - Museum of Art &amp; Design","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3FitkRwD5C\"><a href=\"https:\/\/moad.mdc.edu\/es\/events\/speculative-machine-i-tools-for-a-thawing-world\/\">Speculative Machine I: Tools for a Thawing World<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/moad.mdc.edu\/es\/events\/speculative-machine-i-tools-for-a-thawing-world\/embed\/#?secret=3FitkRwD5C\" width=\"600\" height=\"338\" title=\"\u00abSpeculative Machine I: Tools for a Thawing World\u00bb \u2014 Museum of Art &amp; Design\" data-secret=\"3FitkRwD5C\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/moad.mdc.edu\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/moad.mdc.edu\/wp-content\/uploads\/3271__WEB_3-Kwassa-Kwassa_2015-still_Courtesy-of-Superflex_d12652c59b18a4b6cc7e50590aac80b6-768x461.jpg","thumbnail_width":600,"thumbnail_height":360,"description":"Part of the Speculative Machine panel discussion series, accompanying the exhibition SUPERFLEX: We Are All in the Same Boat, organized by MOAD and curated by Jacob Fabricius, Artistic Director of Kunsthal Aarhus. Gean Moreno (Curator of Programs at ICA Miami) and Stefanie Wakefield (urban geographer and Visiting Assistant Professor in Culture and Media at Eugene [&hellip;]"}